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MORI Ogai's Views on Fine Arts and Utakata no Ki : Creation of Picture of Lorelei by imagination
https://osaka-shoin.repo.nii.ac.jp/records/1950
https://osaka-shoin.repo.nii.ac.jp/records/1950435e9228-a038-416a-bead-d0d5080e8a09
| 名前 / ファイル | ライセンス | アクション |
|---|---|---|
KJ00002413748.pdf (1.9 MB)
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| Item type | 紀要論文(ELS) / Departmental Bulletin Paper(1) | |||||||
|---|---|---|---|---|---|---|---|---|
| 公開日 | 2005-03-08 | |||||||
| タイトル | ||||||||
| タイトル | MORI Ogai's Views on Fine Arts and Utakata no Ki : Creation of Picture of Lorelei by imagination | |||||||
| 言語 | en | |||||||
| 言語 | ||||||||
| 言語 | eng | |||||||
| 資源タイプ | ||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||
| 資源タイプ | departmental bulletin paper | |||||||
| ページ属性 | ||||||||
| 内容記述タイプ | Other | |||||||
| 内容記述 | P(論文) | |||||||
| 論文名よみ | ||||||||
| その他のタイトル | MORI Ogai's Views on Fine Arts and Utakata no Ki : Creation of Picture of Lorelei by imagination | |||||||
| 言語 | en | |||||||
| 著者名(日) |
檀原, みすず
× 檀原, みすず
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| 著者名よみ |
ダンバラ, ミスズ
× ダンバラ, ミスズ
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| 著者所属(日) | ||||||||
| 大阪樟蔭女子大学学芸学部 | ||||||||
| 著者所属(英) | ||||||||
| en | ||||||||
| Osaka Shoin Women's University | ||||||||
| 抄録(英) | ||||||||
| 内容記述タイプ | Other | |||||||
| 内容記述 | In relation to Ogai's criticizing activities of the fine arts around the time Utakata no Ki was published, this paper is to point out that he wrote the work spurred by the dispute over the fine arts between TOYAMA Masakazu and himself, and to present a viewpoint to read it as an artist story based on HARTMANN's aesthetical views OGAI approved.Utakata no Ki's leading character KOSE was modeled after the painter HARADA Naojiro, with whom Ogai was on friendly terms since their stay in Munich. In the novel, the painter KOSE was at first copying pictures, but meeting a violet-selling girl, he obtained the theme of Lorelei and was led to complete the picture. Though the fortuitous meeting with Ludwig II deprived him of Marie's mortal frame, he got an "inspiration" while working in his atelier and completed his own "picture of Lorelei" by virtue of imagination obtained when he entered the stage of sublime spiritual madness. Ogai may have tried to urge the readers to recognize the imaginary picture of Lorelei by making KOSE follow this art creating process.It has been in question whether the "Picture of Lorelei" is completed or not in the last part of the story. However, when aesthetics was not yet developed, we may say, Ogai tried to send an aesthetical message towards TOYAMA, the story readers, and others in Meiji era's fine art world by way of Utakata no Ki. In other words, in Ogai's way of reading, the "Picture of Lorelei" is completed, and in TOYAMA's realizational way of reading, not completed. In the 20's of Meiji era, when the fine arts got promoted into systematization, Utakata no Ki was written with the aim of establishing aesthetics in Japan. | |||||||
| 雑誌書誌ID | ||||||||
| 収録物識別子タイプ | NCID | |||||||
| 収録物識別子 | AA11643143 | |||||||
| 書誌情報 |
大阪樟蔭女子大学学芸学部論集 巻 42, p. 1-8, 発行日 2005-03-08 |
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